Women of color who support Sanders have been erased despite being his most ardent supporters. This is rooted in a long history of voter disenfranchisement. By Nashwa Lina Khan Feminism like any theory and practice changes as it travels, it can also
“We are the only ones who elevate everyone.” Opportunities for women of color in film and entertainment are severely limited. The status quo for Black women in Hollywood reflects their realities across industries and throughout society. Cheryl L. Bedford, a
Elizabeth Acevedo's "The Poet X" brings to light the beauty and nuances of teenage Afro-Latinx experiences.By Ruby Mora Literature was a pivotal part of my upbringing. My mother read books to me and planted this love early on in my life. I read mostly young adult fiction and poetry in high school, but I’ve realized over the last five years or so that most of the YA literature I grew up reading was not only written primarily by white authors, but also had main characters that were white, and if there were people of color, they ended up being severely stereotypical sidekicks to the main characters. Even years after my time in high school, the lack of work written by marginalized voices in the literary world is still an unfortunate trend, but there has been a progressive movement, especially in 2017 and this year, where there were many significant works released by women authors of color: “Her Body and Other Parties” by Carmen Maria Machado, “Peluda” by Melissa Lozada-Oliva, and “Don’t Call Us Dead” by Danez Smith, just to name a few. One book, specifically a novel-in-verse, and its March release is already sparking such progressive changes in the literary world. “The Poet X” by author and immaculate poet Elizabeth Acevedo provides a unique form of storytelling through poetry, while centering the story around Xiomara Batista, a Dominican teen living in Harlem who processes her surroundings and occurences within her family and outside of it through poetry, in an environment where she states she feels unseen and unheard.
It is only right to shine the spotlight on women of color who are disrupting the tech industry for the better.Last week, Fast Company profiled a new start-up aimed at ‘disrupting’ bodegas and mom-and-pop stores. Bodega, named for the businesses they hope to make obsolete, installs unmanned, customizable pantry boxes in offices, apartments, gyms, and other high-traffic areas. Bodega even had the audacity to use the beloved bodega cat, the lovable animal seen at many of the bodegas throughout New York, as its logo. Paul McDonald and Ashwath Rajan, the founders of Bodega, undoubtedly thought this was a great idea, but the internet quickly disabused them of this false notion. After receiving unexpected backlash, the two former-Googlers issued a half-hearted apology via Medium. The apology focused mostly on the name of their startup, leading us to believe that these two will simply rebrand and go back to “solving” non-existent problems.
If Lionsgate wants to make more films, then they should look at women of color in young adult books. By Latonya Pennington Since the success of the Harry Potter film franchise, young adult books being adapted into films have become the norm.