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As long as our culture refuses to hold the Depps of the world accountable, there will always be women like Heard who will be tasked with watching their abusers prosper.

[TW/CW: discussion of domestic violence, rape culture and mentions of sexual assault.] New York Magazine's July 27th, 2015 cover is still as harrowing as it is iconic. Just beneath the bold red lettering of the publication's moniker are 35 women—the victims of Bill Cosby's serial sexual abusedressed in black and seated calmly in their chairs. The uniformity of their open poses and solemn, forward-facing expressions portray a shared preparation for public scrutiny, a feeling all too familiar to anyone who has ever spoken aloud of the abuse they have suffered. Seeing these women congregate in one image is an impactful sight on its own, but the standout element for many of us sits at the end of the last row: an empty chair. It remains unoccupied by all of the women who, despite the presence of nearly three dozen fellow survivors, still didn't feel supported enough to tell their stories. That doubt something that so many silent survivors harboris substantiated by a society that not only continues to interrogate, mock, and ultimately gaslight victims of abuse, but also protects their abusers when they are especially powerful or popular. Johnny Depp is an immensely popular actor. When he and actress Amber Heard divorced in 2016, Heard detailed for the court a history of physical and psychological abuse at the hands of Depp. Her testimony included pictures of her bruised face and a detailed witness account from a friend who had to physically shield Heard from Depp's assault. When his legal team claimed that Heard's accusations were false and motivated by possible financial gain, she promised to donate her entire settlement$7 millionto charity.
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Black, indigenous and women of color are not your sin-eaters, we don’t exist to endure pain for the sake of our communities.

The 1st of May marks the beginning of Mental Health Awareness Month, and Wear Your Voice’s writers and editors have always worked on shedding light on the mental illness, health and the stigma attached to both. Mental health is a feminist issue—it is inextricably linked to oppressions like misogyny, queerphobia, transphobia, racism, ableism and a multitude of others. Studies have proven what we already know through our experiences: racism is literally making us sick. Micro and macro-aggressions take a toll on our mental health, and for those of us with mental illnesses, treatment is often difficult, heavily stigmatized or ignored. In our worst moments, mental illness can lead to the police killing us rather than helping us. Our pain goes unnoticed or untreated because there are limits to the empathy people feel for us, especially for indigenous and Black women and femmes. Resilience happens to be the thing people praise about us rather than our vulnerability or softness. But when do we get to be open, honest and broken without being discarded because we cannot take care of everyone around us? Why is it that people expect us to fix everything without taking the time to heal from our own wounds?
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Frida isn’t a commodity, she was a person who fought against materialistic consumerism.

As someone who has spent almost 20 years studying the life and art of Frida Kahlo, I’ve mused for hours over what her doll version would look. Here’s the Frida doll I’ve imagined: Since she spent so much time in a wheelchair due to illness and so many surgeries, her doll would have to come with one as an accessory. Accessories would also include a back brace, body cast, and washable paints so you could draw on her as she did herself. Her right foot to knee would be detachable, and modeled after the red boot prosthesis she designed and painted herself. Her clothing would be ethically sourced from the same villages she commissioned them in Mexico and would be an entire line all of its own to accompany the doll, as well as a variety of hairstyles and headdresses. The doll’s eyebrows would be thick and meet in the middle, and she would have a shadow above her upper lip. Underneath her elaborate outfit, Frida’s doll would be criss-crossed with a variety of scars across her legs, pelvis, belly, and back; Frida suffered her entire life and her avatar would need to represent all the physical pain that inspired and informed her art. The doll would come with a booklet explaining all of this, and would be written in a way that encourages people to go learn more about her rather than just consuming her image because she’s hip now.   But since we can’t have nice things (ever), Mattel created the exact opposite of a doll honoring Frida Kahlo. Instead of looking even a little like Frida, they have made her into an actual Barbie. Her unibrow is softened as are her striking features, and there is no evidence of her disabilities at all. In a nutshell, Frida has been grotesquely whitewashed.   Having been a fierce Communist until her death, she would despise this consumerist and capitalist "tribute" to her life and work on so many levels. Everything that Frida did in her self-presentation eschewed Western standards of beauty. She refused to pluck her brows or wax her face; she didn’t shave her underarms or legs. She rarely wore makeup and instead focused on layering away her pained body under handmade textiles from remote villages in Mexico, almost single-handedly bringing some of these traditional weaving methods back from cultural extinction.
Related: 10 THINGS YOU MAY NOT KNOW ABOUT FRIDA KAHLO

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