The entertainment industry thrives on unpaid and underpaid workers using the law of supply and demand to justify unfair compensation. By Adriana Gomez-Weston David Rensin’s “The Mailroom: Hollywood History From the Bottom Up” is considered the Bible of entry-level Hollywood, its
Instead of viewing Black Panther’s success as an opportunity to complain about something that is lacking in our communities, non-Black people of color should appreciate the work it took to create something of its caliber.By Sanjana Lakshmi It’s been a few weeks since “Black Panther” came out, and its reception has been deservedly overwhelmingly positive. Ryan Coogler’s film is more than just another superhero movie: it is a blockbuster film that centers the experiences, cultures, and strength of Black folks in a way we have rarely, if ever, seen before. However, one particular response to the film by non-Black people of color has bothered me: the idea that we need to react by saying “where’s our Asian-American superhero movie,” or “where’s our Latinx superhero movie” (note that the latter doesn’t usually imply that they are looking for afro-latinx representation). All people of color deserve media representation, but this is not a constructive critique of ”Black Panther”; these concerns were rarely, if ever, raised during the decades of primarily white superhero movies. The fact that these questions are being posted in reaction to a successful Black superhero movie that is breaking the box office is no more than thinly veiled anti-Black racism. “Black Panther” was not simply handed to the Black community. Black folks fought for this movie. Media representation of the Black community has been historically stereotypical, if not offensive and racist, from caricatures to hyper-sexualization. Wakanda’s portrayal as a technologically advanced and successful African nation untouched by the devastation of colonialism and imperialism is groundbreaking in itself, and the movie’s depiction of Black women stands in contrast to the stereotypes that have been pervasive in our media. These long-awaited portrayals, and their positive reception, need to be celebrated. This is not the time for non-Black people of color to be saying, “what about us?” Black directors, producers, writers, and actors have been fighting for this kind of representation for decades. Black Panther’s success was not an easy feat. It is important to note, too, that there is an extraordinary amount of anti-Blackness in non-Black communities of color. In the South Asian American community, anti-Blackness comes in many forms: the billion-dollar skin-whitening industry, the attacks on African immigrants within the South Asian subcontinent, the model minority myth, and overt as well as subtle colorism. This only scratches the surface of entrenched racism within one non-Black community of color—all of this while Black communities have historically not only supported, but actively fought for the rights of non-Black people of color.
The Dark Tower is easily the largest step I’ve ever seen in a fantasy sci-fi film towards equitable representation on screen — other than the new Star Wars installments. *This is a spoiler-free review.* The man in black fled across the desert,
For those craving a period drama sprinkled with signature British wit, Hulu’s new original series Harlots is a must-watch. It’s been a good year for female-led TV dramas. Between Big Little Lies, Feud and the recent debut of A Handmaid’s Tale, viewers