The gatekeepers of publishing keep marginalized people from getting their work out there. Jemisin is proof that this practice needs to end.N.K. Jemisin just won her third Hugo award in a row accomplishing something that no other author in history has done. This wasn't a fluke, this wasn't a one off, Jemisin is proving that the stories Black women have to tell aren't just for other Black women. They're creative, powerful, and worth your time and money. Science fiction and fantasy have been genres dominated by white boys since time immemorial. Why? Not sure, since people from all across the spectrum have been creating spectacular work in the genre. Jemisin has come out to stop this erasure of diverse voices by taking home the Hugo Award not once, not twice, but three times in a row — a feat that has never been done before, not even by the most famous and prolific white boys. Jemisin has won the last three years since 2016, each year for a book in her Broken Earth trilogy, the first of which is being developed into a series for TNT. This accomplishment is amazing but also shows that Black women have been creating powerful and memorable works that deserve a space in larger, more mainstream arenas, something Jemisin highlighted in her acceptance speech on Sunday: “This is the year in which I get to smile at all of those naysayers: every single mediocre, insecure wannabe who fixes their mouth to suggest that I do not belong on this stage, that people like me cannot possibly have earned such an honor, and that when they win it’s meritocracy, but when we win it’s identity politics,” she said. “I get to smile at those people and lift a massive shining rocket-shaped finger in their direction.” Maybe this doesn't seem important if you think that science fiction and fantasy is just entertainment, but it's not. It is, at its heart a political and revolutionary genre. Sure there are aliens and ray guns but the work has always been about the human experience, our fears, our hopes. The problem is that the majority of the work that is considered classic, that gets notice and notoriety has been focused on the fears and hopes of white men, leaving out the entire spectrum of culture and reality that anyone else has to offer.
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Stop believing what other people have to say about Black women, and start believing what Black women have to say about ourselves.This week, rumors about actor and heartthrob Michael B. Jordan's alleged new girlfriend — Latina Instagram model, Ashlyn Castro — began to take root. Almost immediately after, news of a boycott against "Black Panther" appeared, supposedly led by Black women (but we didn't get that memo). Not a boycott of Michael B. Jordan or any of his other upcoming projects. Just "Black Panther", which is currently everybody's favorite Black power emblem. In this narrative, Black women quickly became traitors to our race, thoughtless and trivial. Our imagined lack of support for "Black Panther" translated very easily into a lack of support for Black men altogether, and this was used as a justification for the misogynoir that ensued. First of all, the sheer ease and momentum with which this wildfire rumor spread is proof enough for me that some people simply cannot wait to talk shit about Black women. All they need is a reason to air their already long or deeply-held misogynoir, whether or not that reason is based in any truth. The "Black women are boycotting "Black Panther" because Michael B. Jordan is dating a non-Black woman" hoax of 2018 was a pathetic attempt to make Black women appear bitter and paint us as irrational and irresponsible, unfit to make decisions about the media we consume — an old song that also plays during conversations about Black women's love for "Scandal" and disdain for "Birth of a Nation". The beginnings of it rest on misogynoir as much as the public’s willingness to believe in it does. Created by a known troll account on Instagram, ground zero of the fake "Black Panther" boycott effortlessly built its narrative around a familiar stereotype: Black women become irrationally angry when Black men date people of other races, especially white and white-presenting women (I'm sorry this discussion is so cisnormative and heteronormative). This is a belief that continues to grow more and more, with less and less context in each evolution. Even Jordan Peele's "Get Out" dipped its toe in this flavor of misogynoir when Chris Washington (Daniel Kaluuya) insisted to his girlfriend, Rose Armitage (Allison Williams), that the most likely reason for Georgina’s (Betty Gabriel) apparent coldness towards him was because she did not like the fact that he was in a relationship with a white woman. He had no evidence to support this claim when Rose questioned it, except to flatly say, “It's a thing.”
Warning: major spoilers. On some real shit, when I first heard Netflix was producing a spin-off show for Luke Cage, a Marvel super hero originally introduced to Netflix audiences in Jessica Jones, I wasn't enthused. Honestly, truly. Jessica Jones was