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Stop Mourning Oppressors: Anti-Condolences For Karl Lagerfeld

The fashion industry continued to let this terrible person hold a place of high-esteem and reduced his commentary to Lagerfeld simply being a bit eccentric.

Chanel’s creative director, Karl Lagerfeld, died at 85 on Tuesday in Paris. Lagerfeld, known for being “the King of Fashion” and a prolific designer who left his mark on the industry, was also an islamophobic, racist, misogynistic, fatphobic rape apologist, whose beliefs and political stances were ignored by millions for the sake of his wealth accumulation and impact as a designer.

It isn’t surprising to witness publications and people wax poetic about Lagerfeld’s genius while they ignore his history of oppressive comments towards anyone who did not fit into his narrow esthetic of human existence. Lagerfeld took pride in being a gatekeeper of an industry which has for a long time continued to perpetuate white supremacy and other forms of oppression. He claimed that he didn’t feel constrained by Coco Chanel’s legacy as a designer, but he certainly continued a legacy of a far-right Europe and a diluted version of his predecessor’s role as Nazi spy and sympathizer.

Rather than separating the art from the artist, I think it is time that fashion come to terms with Lagerfeld’s abhorrent comments — the first thing to do would be to admit that they exist and that commentary continues to be harmful and that the designer’s beliefs only affirmed the feelings and ideologies of millions who hate people whose bodies fall outside of the white supremacist, misogynistic, ableist norm.

In 2017, Lagerfeld had no issue stating that Syrian and Muslim migrants weren’t welcome in Europe and pushed a both islamophobic and frankly anti-semitic idea that, “One cannot — even if there are decades between them — kill millions of Jews so you can bring millions of their worst enemies in their place.” This comment was made just days after neo-Nazis and white nationalists gathered in Poland for demonstrations against Black and Brown migrants, chanting “Pure Poland, white Poland!” and “Refugees get out!”

Throughout his career, Lagerfeld was notoriously misogynistic. In a conversation with Carine Roitfeld, editor-in-chief of CR Fashion Book, he stated that it would be a shame to be saddled with an “ugly daughter” and that having children was for women, not for men. He also once stated that Coco Chanel wasn’t a feminist because she “wasn’t ugly enough for that.”

There are no shortage of fatphobic comments from the designer, including how he didn’t believe that the fashion industry had any relationship to eating disorders: “In France there are a large percentage of young girls who are overweight and less than one percent are skinny. So let’s talk about the 25 percent who have a weight problem, or are overweight. We don’t need to discuss the less than one percent. Anorexia is nothing to do with fashion. These Russian girls are so young. Chinese ones are skinny, too, and bony. I don’t think it’s a subject to discuss. And in today’s world, many people take drugs, not only models, hmm? It’s an unnecessary subject. Let’s talk about the fat ones.”

Lagerfeld’s limited and disgusting beliefs about women included his staunch opposition to featuring plus-sized models in any media: “No one wants to see curvy women. You’ve got fat mothers with their bags of chips sitting in front of the television and saying thin models are ugly. Fashion is about dreams and illusion.”

His comments weren’t limited to generalizing and shaming women, he also disgustingly remarked that Adele, “is a little too fat, but she has a beautiful face and a divine voice.”

On Pippa Middleton: “I don’t like [her] face. She should only show her back.”

On Heidi Klum: “Heidi Klum is no runway model. She is simply too heavy and has too big a bust. And she always grins so stupidly. That is not avant-garde – that is commercial!”

In a 2018 interview, Lagerfeld stated that he was “fed up” with the #MeToo movement and that what shocked him the most was “the starlets who have taken 20 years to remember what happened. Not to mention the fact that there are no prosecution witnesses” — as if the problem was memory and as if there are usually witnesses to sexual assaults. He continues with, ““If you don’t want your pants pulled about, don’t become a model! Join a nunnery, there’ll always be a place for you in the convent. They’re recruiting even!”

Publications have described his comments as “catty”, “bitchy”, “acid-tongued and superficial” and “controversial” instead of sexist, misogynistic, racist, fatphobic, and islamophobic. The blatant separation of the artist from the art perpetuates cycles of abuse in which men like Lagerfeld can occupy prominent spaces in our industries and face no consequences for their words or actions, and be fondly remembered when they are dead. The fashion industry continued to let this terrible person hold a place of high-esteem and reduced his commentary to Lagerfeld simply being a bit eccentric. It’s time the fashion industry make honest remembrances of the man and that you grapple with his true legacy and the reality of oppression in fashion if you truly hope to make more space for marginalized people and bodies in fashion—I’m not going to hold my breath for this one, I don’t want to pass out.



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LARA WITT  MANAGING DIRECTOR Lara Witt (she/they) is an award-winning feminist writer, editor, and digital media strategist. Witt received their BA in Journalism from Temple University and began her career in journalism at the Philadelphia CityPaper and the Philadelphia Daily News. After freelance consulting for digital publications and writing for national and local publications, Witt joined Wear Your Voice Magazine eventually becoming their EIC and re-shaped the site to focus primarily on LGBTQIA+ Black, Indigenous, and people of color (BIPOC). As publisher and managing director, Witt’s goal is to provide platforms for marginalized voices and to reshape the landscape of media altogether. Witt has spoken at universities and colleges across the nation and at local Philadelphia events, such as the March to End Rape Culture (2017). She also helped curate a yearly series of events called The Electric Lady Series in Philadelphia, highlighting women of color and their contributions to culture.  Video Player is loading. Witt’s goal is to provide platforms for marginalized voices with a focus on having other Black, Indigenous and people of color (BIPOC) writers tell their own stories and explore their own narratives. Witt has spoken at local Philadelphia events, such as the March to End Rape Culture (2017) and curated a yearly series of events called The Electric Lady Series. These events highlight women of color in Philadelphia by exploring gender, rape culture, entrepreneurship, art, self-care, sex, and culture.

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